| Franz West | |
|---|---|
Lemur Head (1994); wood, paint, bed, plaster, and mixed media; in the Hirshhorn Museum and Sculpture Garden |
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| Born | February 16, 1947 Vienna |
| Nationality | Austrian |
| Field | Sculpture, Painting, Drawing |
| Training | Academy of Fine Arts Vienna |
| Movement | Contemporary art |
| Works | The Ego and the Id |
| Awards | Otto Mauer-Preis (1986), Skulpturenpreis der Generali Foundation (1993), Wolfgang-Hahn-Preis, Museum Ludwig (1998) |
Franz West (born 1947 in Vienna) is an Austrian artist.
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West studied at the Academy of Fine Arts Vienna with Bruno Gironcoli.
His art practice started as a reaction to the Viennese Actionism movement has been exhibited in museums and galleries for more than three decades.[1] Over the last 20 years he had a regular presence in big expositions like Documenta and the Venice Biennale.[2]
The Baltimore Museum of Art with help from former Senior Curator of Contemporary Art, Darsie Alexander, hosted the very first "comprehensive survey" to ever been done in the U.S. of Franz West's artwork which contained his latest artwork designed specifically for the Baltimore Museum of Art, The Igo and the Id.[3] – which "consists of two configurations of rumpled, ribbon-like loops rising some 20 feet high. One is bright pink, the other neatly painted in blocks of green, yellow, blue and orange. Both have round stools projecting from the lower ends of the loops."[2]
West's artwork is made out of plaster, papier-mâché, wire, polyester, aluminium and other, ordinary materials. He started to produce paintings, but then turned to collages, sculptures, portable sculptures called "Adaptives" or "Fitting Pieces", environments and furniture – "welded metal chairs and divans, some minimally padded and upholstered in raw linen."[2]
| “ | It doesn't matter what the art looks like but how it's used.
Franz West [4] |
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Around 1980 West started to create "plaster objects, usually a few feet long, meant to be placed over the face, worn around the waist or held in the crook of the neck. Although they suggest masks and props for the commedia dell'arte, their shapes are usually ambiguous: no matter how figurative and sexual Mr. West's objects may be, they remain abstract. The pieces can be worn on the street or carried like a partner in an enraptured solipsistic dance. They leave the wearer looking both protected and trapped."[5]
West is married to the Georgian artist Tamuna Sirbiladze who too is based in Vienna.
6.^ King, Elaine A.,"Euphoric Sculpture: A Conversation with Franz West," Sculpture Magazine, June 2009, Vol.28, No. 5 http://www.sculpture.org/documents/scmag09/june_09/west/west.shtml